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Follow the link for more information. Spanish section of the song. Jai Ho” was, at the time of its release “the toast of the town in almost every part of the world”. English interpretation of “Jai Ho”.
Hey I’m Danny Boyle, I like your work, and it would be great for us to have you on our film”. Rahman summarized their first meeting by saying “when I talked to him, I had some interest and I wanted to see the film. He had a first cut of the film already, and when I saw that I was really interested and wanted to do it. So I left another film to do this one. I made time for it”. Rahman to “never put a cello in my film”. Boyle also insisted on a “pulsey” score.
Rahman stated that Boyle wanted “edgy, upfront” music that did not suppress sound. Usually a big film has 130 cues. This had just seventeen or eighteen: the end credits, beginning credits”. Rahman two months to plan and two weeks to complete. He recalled that: “Usually it takes six months with the musical films I’m doing in India”.
Rahman said the soundtrack “isn’t about India or Indian culture. The story could happen anywhere: China, Brazil, anywhere. At the time of the song’s production, Rahman had been using the software for almost 12 years. For “Jai Ho”, Rahman made extensive use of Logic instruments, including the EXS24, which comprises the EVP88 electric piano and ES2 synth mixed with a few plugins, such as the Channel EQ, Bitcrusher and Guitar Amp Pro. The bassline and the “trancey, arpeggiated” musical line used ES2 presets. For the “long chorus vocals” in the song, Rahman created a “robotic, stair-stepping pitch-bend effect” with Logic’s Pitch Correction plugin to achieve the “exaggerated tuning effect”. According to the India-EU Film Initiative, this inclusion “really makes the song quite unique and international”.
Jai Ho”, which takes a high pitch at numerous junctures of the song. Hindi words between the “Jai Ho” chants and the portions of the verses not sung by Singh. Tanvi Shah sang and wrote the song’s Spanish words. According to Rahman, “Jai Ho” was meant to create “a vision of the whole world celebrating this victory”.
The song contains a mix of “multiple motifs from the traditional pieces on the soundtrack” with “the big drums and blasting horns of the present”. Although Rahman was excited about the song, Ghai “wasn’t too kicked about it”. Ghai felt it was “too subtle and soft to be picturized on the character played by Zayed Khan”. It was like a prayer.
I honestly didn’t think the song would win me an Oscar though. But like the film Slumdog suggests, everything has its own destiny”. When asked if he considers “Jai Ho” as his best creation, Rahman stated: “Sometimes it’s not about a best creation, but the best for a particular moment of the film. I know there’s lot of debate over this song winning the Oscars.
But then, I didn’t send the song to the Oscars, the makers did. I just composed the tune in three weeks and was done with it. However, I too feel ‘Jai Ho’ was apt for that particular moment in the film—the protagonist comes out of darkness and pain to light amid ‘Jai Ho’ hammering in the background. A thirty second sample of “Jai Ho”. Sean Daly of the St.
Petersburg Times called the song and its choreography “brilliant”. He described it as “two lovers consummating their long, winding courtship not with sex but a hand-waving, side-stepping, totally cathartic shimmy”. India’s most treasured composer deserves the new-found global recognition it has earned him”. Joginder Tutej of Bollywood Hungama deemed “Jai Ho” the “flagship number” of the film. Tutej complimented Sukhwinder Singh’s vocals as being “energetic” and concluded that the singer “can comfortably add on another big chartbuster to his name”. He also stated that the song, while “boasting of an amazing mix of melody and rhythm” remains “Indian at heart” and is “instantly catchy”.
He concluded that: “No wonder, it is the lone promotional song of the film and also sees a music video being dedicated to it. Gulzar saab celebrates the spirit of love and life with ‘Jai Ho’ and infuses enough power in it that justifies all the nominations it is receiving today”. According to the India-EU Film Initiative “Jai Ho” became “the toast of the town in almost every part of the world”. They noted that: “Music experts are listening to the song again and again to appreciate the global texture of the song and at the same time they are admiring the beauty of the lyrics by India’s foremost lyricist Gulzar who, like AR Rahman, has always experimented with his narrative”. According to Sean Daly of the St.